RappazMuseum in Basel

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SwitzerlandRappazMuseum

 

closed

🕗 opening times

Mondayclosed
Tuesdayclosed
Wednesdayclosed
Thursdayclosed
Friday-
Saturday-
Sunday-
Klingental, 4058, Basel, Basel-Stadt, CH Szwajcaria
contacts phone: +41 61 681 71 21
website: www.rappazmuseum.ch
larger map & directions
Latitude: 47.5616676, Longitude: 7.5903885

comments 5

  • Dylan

    Dylan

    ::

    This is a gem! Although Rappaz is not so well known internationally, this museum is well worth the visit for fans of concrete art. The price of admission is also free which is an extremely big plus. The staff manning the counter was super friendly and went above and beyond to make us feel welcomed without being intrusive. The museum was practically deserted so we had the whole place to ourselves. Great experience!

  • ko

    ์ด์˜์ค€

    ::

    "Lee Young Jun PEN ART" Pen Art(General Remarks) Infinity of lines and dots have symbolism. ย Such symbolism is ever changing according to the spiritโ€™s depth. ย All works are kaleidoscopic; they are usually composed of indescribable expressions. ย Therefore, artโ€™s depth also can be said to be unlimited. ย Is pen artโ€™s depth also infinite? ย In other words, do the lines and dots flowing from the nib of a pen have an artistic qualification? ย In this respect, it is worth thinking deeply. ย Pen art begins from an essence of natureโ€™s fundamental values. ย From the standpoint of value, or color, a harmony of black and white is essential in nature. ย As it is impossible to see any color in darkness, distinguishing color is an essential role of light. ย That is why the soul is drawn to light. ย Whiteness, or light is a spiritual reflection of the soul while blackness, or darkness is a reality of life on earth. ย As the color green is an essential color of vegetation, burnt charcoal is an earthy color that will stay near black. ย Blackness is heterogeneous and may be hostile to life. ย If blackness belongs to the essence of nature, it also may be said to represent the image of death. ย A combination of black and white constitutes degrees of lightness and darkness. ย When painting black on a white background, the soul is transported to the white background. ย Whiteness comes to life when contrasted with black line and black space. ย In this case, soul also may be expressed through the blackness. ย Soul may be transported to the black or a combination of white and black, which shed a mysterious merit to the soul or spirit. ย Pen arts starts and ends from an essence of natureโ€™s fundamental contrasts. ย The primary essence is infinite and eternal while the artistic harmony of black and white can take oneโ€™s breath away. ย But, this is not possible until a metamorphosis has been realized over many years and spiritual transcendence has occurred. ย The transfer of spirit ย occurs when oneโ€™s life experiences are projected onto the white canvas in harmony with blackness. ย That is the true โ€˜pen art.โ€™ ย ย ย ย ย ย ย ย ย ย  Artist Lee Young Jun I am a Korean. I pioneered the " Lee Young Jun Pen Art " and Perfected the genre. I am Artist Lee Young Jun. Pen Art is the only genre is an important work In the world. The works are extremely valuable. And no one is able to work not dare to imitate. The hope my work can be sympathy to many people. Thank you. "Lee young jun PEN ART ์ด๋ก " (์ด๋ก  :็ธฝ่ซ–)PEN ART(Korea) ------------------------------------------- ์„ ๊ณผ ์ ์˜ ๋ฌดํ•œํ•จ์€ ์ƒ์ง•์„ฑ์ด ์žˆ๋‹ค. ๊ทธ ์ƒ์ง•์„ฑ์€ ์ •์‹ ์˜ ๊นŠ์ด์— ๋”ฐ๋ผ ๋ณ€ํ™”๋ฌด์Œ(่ฎŠๅŒ–็„ก้›™)ํ•˜๋‹ค. ๋ชจ๋“  ์ž‘ํ’ˆ์ด ๊ทธ๋Ÿฌํ•˜๋‹ค. ๋ณ€ํ™”๋ฌด์Œํ•˜๊ธฐ ๋•Œ๋ฌธ์— ํ˜•์–ธํ•  ์ˆ˜ ์—†๋Š” ํ‘œํ˜„์œผ๋กœ ์ด์–ด์ง„๋‹ค. ๊ทธ๋ฆฌํ•˜์—ฌ ์˜ˆ์ˆ ์˜ ๊นŠ์ด๋Š” ๋ฌดํ•œํ•œ ๊ฒƒ์ด๋‹ค. ํŽœ์˜ ์˜ˆ์ˆ ์ด๋ผ๊ณ  ํ•˜๋ฉด ๊นŠ์ด๊ฐ€ ๋ฌดํ•œํ•จ์ด ์žˆ์„๊นŒ? ์ผ๋ฐ˜์ ์œผ๋กœ ํŽœ์˜ ๋์—์„œ ํ˜๋Ÿฌ๋‚˜์˜ค๋Š” ์„ ๊ณผ ์ ์ด ๊ณผ์—ฐ, ์˜ˆ์ˆ ์„ฑ์„ ๊ฐ–์ถœ ์ˆ˜ ์žˆ๊ฒ ๋Š”๊ฐ€ ๋ผ๋Š” ์ ์ด๋‹ค. ์ด์ ์— ๋Œ€ํ•˜์—ฌ ๊นŠ์ด ์ƒ๊ฐํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค. ํŽœ์˜ ์˜ˆ์ˆ ์€ ์ž์—ฐ์˜ ๊ทผ๋ณธ์ ์ธ ์ƒ‰์ฑ„์˜ ๋ณธ์งˆ์—์„œ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•œ๋‹ค. ์ƒ‰์ฑ„์˜ ๋ณธ์งˆ์—์„œ ๋ณด๋ฉด ํ‘(้ป‘), ๋ฐฑ(็™ฝ)์˜ ์กฐํ™”๋Š” ์ž์—ฐ์˜ ๊ทผ๋ณธ์ (ๆ นๆœฌ็š„)์ด๋‹ค. ์กฐ๋ช…์ด ์—†๋Š” ์–ด๋‘์šด ๊ณณ์—์„œ๋Š” ์ƒ‰์„ ๋ณผ ์ˆ˜ ์—†๋“ฏ์ด ์ƒ‰์„ ๊ตฌ๋ถ„ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•ด์ฃผ๋Š” ๊ฒƒ์ด ๋น›์˜ ๋ณธ์งˆ์ ์ธ ์ž‘์šฉ์ด๋‹ค. ๋•Œ๋ฌธ์— ํฐ์ƒ‰์œผ๋กœ ๋‚˜ํƒ€๋‚˜๋Š” ๋น› ์†์—์„œ ์˜(๏ฆณ)์„ ์ด๋Œ์–ด ๋“ค์ธ๋‹ค. ํฐ์ƒ‰ ๋˜๋Š” ๋น›์€ ์˜(๏ฆณ)์˜ ํ˜ผ์ (้ญ‚็š„)์ธ ์˜์ƒ์ด๋‹ค. ์ž์—ฐ์ƒ‰์€ ๊ฒ€์€ ์ƒ‰์ด๋‹ค. ๋…น์ƒ‰์ด ์‹๋ฌผ์˜ ๋ณธ์งˆ์ ์ธ ์ƒ‰์ฑ„์ธ ๊ฒƒ์ฒ˜๋Ÿผ ํƒ€๋ฒ„๋ฆฐ ์ˆฏ์€ ๊ฒ€์€์ƒ‰์œผ๋กœ ๋‚จ๋Š” ๋ณธ์งˆ์ ์ธ ์ƒ‰์ƒ์ด๋‹ค. ์ ˆ๋Œ€์ ์ธ ์–ด๋‘  ์†์—์„œ ์–ด๋–ค ์ƒ๋ช…์˜ ์šด๋™๋„ ์žˆ์„ ์ˆ˜ ์—†๋‹ค. ๊ฒ€์€์ƒ‰์€ ์ƒ๋ช…์— ๋Œ€ํ•œ ์ด์งˆ์ (็•ฐ่ณช็š„)์ด๊ณ  ์ ๋Œ€์„ฑ (ๆ•ตๅฐๆ€ง)์ด ์žˆ๋‹ค. ๊ฒ€์€์ƒ‰์ด ์ž์—ฐ์˜ ๋ณธ์งˆ(ๆœฌ่ณช)์ด๋ผ๋ฉด, ๊ฒ€์€์ƒ‰์€ ์ฃฝ์Œ์˜ ์˜์ (๏ฆณ็š„)์ธ ์˜์ƒ์ด๋‹ค. ํฐ์ƒ‰์ด ๊ฒ€์€์ƒ‰๊ณผ ๊ฒฐํ•ฉ(็ตๅˆ)ํ•  ๋•Œ ๋ช…์•”(ๆ˜Žๆš—)์ด ์ด๋ค„์ง„๋‹ค. ํฐ ํ™”๋ฉด์— ๊ฒ€์€์ƒ‰์„ ์น ํ•˜๋ฉด ๏ฆณ์ด ํฐ ํ™”๋ฉด์— ์ด์ž…(็งปๅ…ฅ)๋œ๋‹ค. ๊ฒ€์€ ์„ (็ทš), ๊ฒ€์€ ๋ฉด(้ข)๊ณผ ๋งŒ๋‚  ๋•Œ, ํฐ์ƒ‰์€ ๋ถ€ํ™œ(ๅพฉๆดป)ํ•œ๋‹ค. ๊ฒ€์€ ์ƒ‰์„ ํ†ตํ•˜์—ฌ ์˜์„ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋‹ค. ์˜(๏ฆณ)์ด๋ž€ ๊ฒ€์€์ƒ‰ ์†์— ์ด์ž…๋  ์ˆ˜ ์žˆ๋Š” ์œ ์ผํ•œ ๊ฒƒ์ด๋ฉฐ, ์˜๊ณผ ํ˜ผ์˜ ์ƒ‰์ฑ„ ํ‘(้ป‘), ๋ฐฑ(็™ฝ)์„ ๊ฒฐํ•ฉ(็ตๅˆ)ํ•˜๋ฉด ์‹ ๋น„ํ•จ์„ ๊ฐ–๋Š”๋‹ค. ๊ทธ๋ฆฌ๊ณ  ํŽœ์˜ ์˜ˆ์ˆ ์€ ์ž์—ฐ์˜ ๊ทผ๋ณธ์ ์ธ ์ƒ‰์ฑ„์˜ ๋ณธ์งˆ ์—์„œ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜์—ฌ ๊ทผ๋ณธ์ ์ธ ์ƒ‰์ฑ„์˜ ๋ณธ์งˆ์—์„œ ๋์„ ๋งบ๋Š”๋‹ค. ๊ทผ๋ณธ์ ์ธ ๋ณธ์งˆ์€ ๋ฌดํ•œ(็„ก้™)ํ•˜๊ณ  ์˜์›ํ•จ์ด ์žˆ์œผ๋ฉฐ, ํ‘, ๋ฐฑ์˜ ์กฐํ™”๋Š” ์˜ˆ์ˆ ์ (่—่ก“็š„)์œผ๋กœ ์ถฉ๋ถ„ํžˆ ์‚ด์•„ ์ˆจ์‰ด ์ˆ˜ ์žˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์˜ค๋žœ ์‹œ๊ฐ„์„ ํ†ตํ•˜์—ฌ ๋‹ค๋“ฌ๊ณ  ์™„์„ฑ๋œ ๊ฒฝ์ง€๋ฅผ ์ด๋ฃฌ ๋’ค์—์•ผ ๊ฐ€๋Šฅํ•˜๊ณ , ํ˜ผ(้ญ‚)์„ ๋‹ด๋Š” ์™„๋ฒฝํ•œ ์„ ์œจ์ด ์ „์ œ ๋˜์–ด์•ผ ํ•œ๋‹ค. ํ‘, ๋ฐฑ์˜ ์กฐํ™” ์†์— ๊ณ ๊ณ (ๅญค้ซ˜)ํ•˜๊ณ  ์ƒ์ƒํ•œ ์„ ์œจ์ด ํฐ ํ™”๋ฉด์— ์˜์ด ์ด์ž…๋  ๋•Œ ๋น„๋กœ์†Œ ์˜์˜ ์„ธ๊ณ„๋Š” ์ฐฝ์กฐ(ๅ‰ต้€ )๋œ๋‹ค. ๊ทธ๊ฒƒ์ด ์ง„์ •ํ•œ ํŽœ์˜ ์˜ˆ์ˆ ์ด๋‹ค. ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ์ด์˜์ค€(ย ๏งก ย ๆฐธ ไฟŠ)

  • Pellegrini Nicoleta

    Pellegrini Nicoleta

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  • Lorenzo dellolio

    Lorenzo dellolio

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    ร„usserst interessante Kunstwerke, wir besuchten das Museum in der Museumsnacht und wurden sehr freundlich empfangen. Die Kunst ist sehr graphisch und berechnet, das Museum hat eine ruhige und gemรผtliche Stimmung. Um die Sitzgelegenheiten waren wir sehr froh.

  • en

    Angelo Popescu

    ::

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